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	<title>uncertain attribution</title>
	<link>http://uncertain-attribution.net</link>
	<description>Love and Bloody Violence</description>
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		<title>Unspoken</title>
		<description><![CDATA[Revisiting Unspoken (uncertain attribution&#8216;s second full-length song) after a gruelling four days of recording and writing, Blade puts down an impossible violin part to better fit the piece. Still just as jammed with unresolved chords so large they need three hands to play, impossible Messiaenic tonalities and Bartókean structures, but now with a more balanced [...]]]></description>
		<link>http://uncertain-attribution.net/2010/06/09/unspoken-2/</link>
			</item>
	<item>
		<title>Disarm (take two)</title>
		<description><![CDATA[Blade delivers her grungy interpretation of The Smashing Pumpkins&#8216; Disarm, while the guitar tips its hat to The Smiths. Credits in chronological order of creation: Original: Billy Corgan of The Smashing Pumpkins Guitar: Maz with Hayes Vocals: Blade Disarm MP3]]></description>
		<link>http://uncertain-attribution.net/2010/06/09/disarm-two/</link>
			</item>
	<item>
		<title>When You Bleed</title>
		<description><![CDATA[Sonic ideas in December 2008, Nicecast sessions in April 2009, and now — having just recorded the vocals in Blade&#8217;s flat — here is When You Bleed. When You Bleed MP3 Credits: Synths: Maz Songs: Blade Samples: fire-tongs Lyrics I thought last night I heard your voice I speak through you You speak through me [...]]]></description>
		<link>http://uncertain-attribution.net/2010/06/07/when-you-bleed/</link>
			</item>
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		<title>Hungry Dyke The Wolf</title>
		<description><![CDATA[Duran Duran get a lipstick lesbian makeover. Beware of werewolves. Credits in chronological order of creation: Original: Duran Duran Concept: Blade Arrangement: Maz Vocals: Blade Guest: Pluto Hungry Dyke the Wolf MP3 Reason Insanity]]></description>
		<link>http://uncertain-attribution.net/2010/06/07/hungry-dyke-the-wolf/</link>
			</item>
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		<title>The Making of Lost Forever</title>
		<description><![CDATA[]]></description>
		<link>http://uncertain-attribution.net/2009/08/18/the-making-of-lost-forever/</link>
			</item>
	<item>
		<title>Lost Forever</title>
		<description><![CDATA[Begun way back in February 2008, revamped in May 2008, and under recording and production ever since, Lost Forever is UA&#8216;s most complex work to date with dozens of guitar, violin and piano parts coming together to make a gothic industrial metal anthem. Lost Forever MP3 Credits: Melodies: Maz and Blade Violins: Blade Piano: Maz [...]]]></description>
		<link>http://uncertain-attribution.net/2009/08/14/lost-forever/</link>
			</item>
	<item>
		<title>Hayes</title>
		<description><![CDATA[Raven has finished the custom artwork for Maz&#8217;s Ibanez Prestige RG1570L, Hayes. Here is one picture: See more at Maz&#8217;s Flickr account.]]></description>
		<link>http://uncertain-attribution.net/2009/08/04/hayes/</link>
			</item>
	<item>
		<title>Disarm</title>
		<description><![CDATA[Blade delivers her grungy interpretation of The Smashing Pumpkins&#8216; Disarm, while the guitar tips its hat to The Smiths. Credits in chronological order of creation: Original: Billy Corgan of The Smashing Pumpkins Guitar: Maz Vocals: Blade Disarm MP3]]></description>
		<link>http://uncertain-attribution.net/2008/06/01/disarm/</link>
			</item>
	<item>
		<title>Disarm (redux)</title>
		<description><![CDATA[Disarm is uncertain attribution&#8216;s tribute to The Smashing Pumpkins. Maz delivers his interpretation, with hints of Johnny Cash. Credits in chronological order of creation: Original: Billy Corgan of The Smashing Pumpkins Guitar: Maz Vocals: Maz Disarm MP3]]></description>
		<link>http://uncertain-attribution.net/2008/05/27/disarm-redux/</link>
			</item>
	<item>
		<title>Unspoken</title>
		<description><![CDATA[Unspoken is uncertain attribution&#8216;s second full-length song jammed with unresolved chords so large they need three hands to play, impossible Messiaenic tonalities and Bartókean structures. Blade once again shows her prowess: exhausted after the end of a long day of writing she still delivers a stunning performance, including the highly technical last verse. Credits in [...]]]></description>
		<link>http://uncertain-attribution.net/2008/05/11/unspoken/</link>
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